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MIDAS PRO2-CC-IP

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รหัสสินค้า
PRO2-CC-IP
฿800,000.00

ดิจิตอลมิกเซอร์ 64-channel Digital Mixer with 64 Input Channels, 27 Phase-coherent Mix Buses, 8 Onboard MIDAS Microphone Preamps, 16 Onboard Analog Outputs, 2 AES3 Inputs, 3 AES3 Outputs, and 96kHz 40-bit Floating-point Processing Throughout

****กรุณาเช็คสต็อคสินค้าก่อนสั่ง LINE : @music2home

MIDAS PRO2-CC-IP
MIDAS PRO2-CC-IP MIDAS PRO2-CC-IP MIDAS PRO2-CC-IP MIDAS PRO2-CC-IP

ดิจิตอลมิกเซอร์ Midas Pro2 CC-IP สำหรับงานติดตั้ง (Install Package) Live Digital Console Control Centre with 64 Input Channels, 8 MIDAS Microphone Preamplifiers, 27 Mix Buses and 96 kHz Sample Rate เหมาะสำหรับงาน แสดงโชว์กลางแจ้ง

A Truly Innovative Digital Console
The MIDAS PRO2 digital mixer gives you fabulous live sound, with a fast and streamlined workflow. The PRO2's intuitive interface is all about keeping it simple. Rather than the confusing paging and layering concepts employed by many digital boards, the PRO2's intuitive interface is centered around colors and groups. Compact and roadworthy, the PRO2 packs a punch. It has eight mic/line inputs onboard and can be expanded with a DL251 remote stage box, which sports another 48 inputs. You can also expand your system to cover the largest of shows. Step up to a truly innovative digital console: the MIDAS PRO2.

MIDAS PRO2 Digital Mixer at a Glance :

  • This board sounds amazing
  • Delay management - and why you need it
  • Your investment is protected


This board sounds amazing
MIDAS's reputation for superb audio quality is the result of over 40 years of development and research. The company has endowed the PRO2 with top-shelf components and technology developed from their class-leading XL8 board. The PRO2 boasts 96kHz 40-bit floating-point processing throughout. Its 27 mix buses are time-aligned and phase-coherent. But impressive specs only begin to tell the story of what this board sounds like: amazing!

Delay management - and why you need it
The PRO2 employs MIDAS's proprietary delay management technology. OK, so why is that a good thing? Digital processing takes time to run, causing short time delays. ADCs and DACs have much larger delays (typically a few milliseconds), so if you've used analog insert points, the channel in question will be delayed relative to the others. The problem is, combining signals in this way can lead to the summing of signals that are partially out-of-phase, causing nasty comb filtering. All MIDAS digital mixers feature soup-to-nuts automatic time alignment to correct path-related delays, plus automatic compensation for the additional latency introduced by A/D conversion on analog inserts. The result? Better sound.

Your investment is protected
The MIDAS PRO2 gives you everything you need to mix a live show with no sweat. This self-contained console has eight onboard mic/line inputs, which can be expanded with a MIDAS DL251 remote stage box. You can add additional optional I/O units to your system, to a maximum of 156 inputs x 166 outputs - enough to handle ginormous shows. Bottom line, your investment is protected. MIDAS wouldn't have it any other way.

Features :
  • Self-contained digital console; may be used without external hardware
  • 8 onboard MIDAS microphone preamps
  • 16 onboard analog outputs
  • 2 AES3 inputs, 3 AES3 outputs
  • 64 simultaneous input processing channels
  • 27 sample-synchronous, phase-coherent mix buses
  • 6 multichannel FX engines
  • 4-band parametric EQ on each input channel
  • Up to 28 instances of the Klark Teknik DN370 31-band graphic EQ
  • Full-color 15" daylight-viewable display screen
  • 8 VCA (Variable Control Association) groups
  • 6 population groups
  • 192 MCA (Mix Control Association) groups
  • 96kHz 40-bit floating-point processing throughout
  • Expandable with optional external hardware I/O units (max capacity: 156 inputs x 166 outputs)
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System Specifications

Sampling rate

96kHz

Latency delay

<2 ms (Input to Master output with no latency compensation)

Dynamic range

106 dB, 22 Hz to 22 kHz

Maximum voltage gain

80 dB, Inputs to Subgroups and Masters
86 dB, Inputs to Aux and Matrix

Crosstalk

-100 dB physically adjacent input channels

Fader/pan cut off

-100 dB

Frequency Response

0 dB to -1.0 dB, 20 Hz to 20 kHz

Gain Error @ 1kHz

±1.0 dB

Input CMRR

0 dB gain

-60 dB

+45 dB gain

-90 dB

Distortion @ 0 dBu

0 dB gain

0.01%

+45 dB gain

0.03%

Distortion @ +20 dBu

0 dB gain

0.03%

+45 dB gain

0.03%

Noise Floor

0 dB gain

-85 dBu, 22 Hz to 22 kHz (unweighted)

+45 dB gain

-81 dBu, 22 Hz to 22 kHz (unweighted)

Equivalent Input Noise (EIN)

0 dB gain

-85 dBu, 22 Hz to 22 kHz (unweighted)

+45 dB gain

-126 dBu, 22 Hz to 22 kHz (unweighted)

Dynamic Range

0 dB gain

106 dB, 22 Hz to 22 kHz (unweighted)

+45 dB gain

102 dB, 22 Hz to 22 kHz (unweighted)

Analogue Audio System Inputs

Mic/Line Inputs
Quantity

8

Connector

3-pin XLR balanced mic/line input with +48 V phantom power

A/D converter

24 bit, 96 kHz with 128 x oversampling

Gain

-22.5 dB to +65 dB

Maximum input level

+6 dBu

Input impedance

10 kOhm

Talk Mic Input
Quantity

1

Connector

3-pin XLR balanced mic input with +48 V phantom power

Mic gain

+15 dB to +60 dB

Maximum input level

+6 dBu

Input impedance

600 Ohm

Talk Back Input
Quantity

1

Connector

3-pin XLR balanced line input

Maximum input level

+21 dBu

Input impedance

10 kOhm

Analogue Audio System Outputs
Line Outputs
Connector

3-pin XLR balanced line output

Master Outputs
Monitor Outputs
Talk Output
Headphone Output

Digital Audio System Inputs and Outputs

AES3 Inputs
Quantity

2

Format

Conforms to AES3-2009 (2 channels of digital audio)

Connector

3-pin XLR

Sample rate

32 kHz to 96 kHz

Bypass

Sample rate converter bypass

AES3 Outputs
Quantity

2

Format

Conforms to AES3-2009 (2 channels of digital audio)

Connector

3-pin XLR

Sample rate

48 kHz, 96 kHz or auto-tracking to inputs

Bypass

Sample rate converter bypass

Word length

16, 20 or 24 bit

AES50 Audio
Quantity

6

Format

Conforms to AES50-2011 (24 channels of bidirectional digital audio @ 96 kHz)

Connector

Neutrik etherCON with status LEDs

Redundancy

N+1 cable redundancy (X & Y)

Ethernet Control Data
Quantity

1

Connector

Neutrik etherCON with status LEDs

Redundancy

Dual cable redundancy (1 & 2)

Word Clock Input
Quantity

1

Format

TTL level, 96 kHz square wave

Connector

75 Ohm BNC

Word Clock Output
Quantity

1

Format

TTL level, 96 kHz square wave

Connector

75 Ohm BNC

Video Sync Input
Quantity

1

Format

Horizontal video sync (black burst), HD & SD formats

Connector

75 Ohm BNC

AES3 Sync Input
Quantity

1

Format

Conforms to AES3-2009 (2 channels of digital audio @ 96kHz)

Connector

3-pin XLR

AES3 Sync Output
Quantity

1

Format

Conforms to AES3-2009 (2 channels of digital audio @ 96kHz)

Connector

3-pin XLR

Output

96 kHz Grade II reference clock

Other Interfaces

Screen Output
Quantity

1

Connector

DVI-C

USB Interface
Quantity

2

Format

USB 2.0 full speed (12.0 Mbit/s), 5 V 1 A maximum load

Connector

USB Type A

MIDI Interface
Quantity

3

Format

MIDI IN, MIDI OUT, MIDI THRU

Connector

5-pin DIN

Footswitch Input
Quantity

1

Format

Contact closure

Connector

¼" TS jack

Lamps
Quantity

2

Format

5 V, 12 W supply

Connector

4-pin XLR

Displays
Quantity

2

Type

15" daylight-viewable colour TFT LCD screen

Power

Power Supplies
Quantity

2

Format

PRO1/PRO2/PRO2C Series Power Supply Module (MKT-PSU-7)

Connector

IEC mains inlet

Mains Input Voltage

100 to 240 VAC, 50 to 60 Hz

Redundancy

N+1 power supply redundancy

Power Consumption
115 VAC

1 PSUs - 1.6 A, 170 W
2 PSUs - 1.7 A, 185 W

230 VAC

1 PSUs - 0.8 A, 165 W
2 PSUs - 0.9 A, 180 W

Physical

Dimensions
Net weight

46.0 kg (101.2 lbs)

Operating temperature range

+5°C to +40°C

Storage temperature range

-20°C to +60°C

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